Best Hongkonger musical movies

The Legendary La Rose Noire (1992)

A poet named Butterfly and her friend Kuen visit a stranger's mansion to return some possessions that were unintentionally taken. At the house, they stumbled upon an illegal weapons trade that ultimately went bad. To evade the police from interrogations, the two innocent witnesses wiped away their fingerprints and left a note that stated that the crimes were committed by "The Black Rose," who is known to be a fictional hero in a 1965 movie. However, a recovered fingerprint caused Kuen to be the prime suspect, and the apprentices of the Black Rose, apparently a real hero whose legacy was portrayed in the 1965 movie, attempt to seek the truth in the matter by confronting Butterfly.

The Millionaire Chase (1969)

Shaw Brothers musical about three Showgirls chasing millionaires.

Beijing Rocks (2001)

A rock and roll story that portrays the decay of political and cultural lacunae that have separated China and Hong Kong for so long.

The Kingdom and the Beauty (1959)

This is a musical about a young emperor who is lured via stories told to a place called Kiang-Nan by his royal tutor. The empress mother has the tutor go to Kiang-Nan to bring him back.

The Eighteen Darts (Part 2) (1966)

The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

The Eighteen Darts (Part 1) (1966)

The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

Young Lovers (1970)

Colorful Youth (1966)

In 1966, Connie Chan Po-chu and Josephine Siao Fong-fong starred in multiple contemporary films, cementing their onscreen persona as virtuous young women while becoming the hottest youth idols of their time. Colourful Youth remains the only contemporary film to feature both of them. Filmed in Eastmancolor, the song-and-dance spectacle keeps its fingers on the pulse of its era and presents the vigour of the modern times.

The Moon-Blanch'd Land (1952)

An early Musical by the Hsin Hwa Motion Picture Company.

Moonlight Serenade (1967)

A sweet inn-keeper's daughter falls in love with a woodcutter, but witnesses the woodcutter's brother raping her sister. Tragically, the sister commits suicide in shame, and the rapists turn his attentions to the witness, leading to more danger than most romantic dramas can handle.

Return of the Phoenix (1963)

Return Of The Phoenix is yet another masterpiece from prolific director Li Han-hsiang. An imperial minister Cheng Pu (Ching Miao) is faced with a quandary. He's getting old and his daughters are still not married. Elder daughter Shueh-yeh (Elizabeth Chuang) is so ugly no one wants her. Younger daughter Shueh-wu (Li Hsiang-chun) is beautiful but Mrs Cheng refuses to let her marry before her elder sister. The drama unfolds when Cheng decides to marry Shueh-wu off.

Songfest (1965)

The story centers on the passionate and turbulent romance between a tea-picker girl, Yu Lan, and a fisherman, Chun Yang.Complications soon arise when a love rival, Hu San Bao, appears.

Sing High, Sing Low (1967)

A Shaw Brothers Musical Comedy.

The Bride Napping (1962)

The ethereal Lok Dai plays a pivotal role in the 1962 Shaw Brothers screwball costume comedy The Bride Napping. Based on a chapter of author Shi Naian's The Water Margin (AKA: Outlaws of the Marsh), the action kicks off when Liu Yuen Ying (Ding Nung) is "bride-napped" by a bandit who's out to make her his wife! The bandit's sympathetic sister returns Ying, but that's only the beginning of the mistaken identities, social satires, and cross-dressing confusion as Ying's disappearance and return wreaks havoc with the locals! A delightful costume comedy that combines screwball antics, musical interludes, and even a little action, The Bride Napping is a fun and entertaining way to catch the legendary Lok Dai at her most beautiful and charming!